Best #جنس videos — Page 4

For A Lost Soldier | 1992 | Der Verlorene Soldat (original title)

REUPLOAD - BEST QUALITY AVAILABLE For a Lost Soldier (Dutch: Voor een Verloren Soldaat) is a 1992 Dutch coming-of-age romantic drama film directed by Roeland Kerbosch, based on the autobiographical novel of the same title by ballet dancer and choreographer Rudi van Dantzig. It deals with the romantic/sexual relationship between an 11-year-old boy (Van Dantzig, portrayed by Maartin Smit) and a Canadian soldier (Andrew Kelley) during the final months leading up to the liberation of the Netherlands from Nazi occupation during World War II. In the 1980s, a middle-aged Jeroen (Jeroen Krabbé) reminisces about 1944, when his 11-year old self (Smit) and other children were sent by their parents to the countryside to escape the effects of World War II. The city suffers from food shortages, with more food available in the country. He stays with an eel fisher's family but, while there is an abundance of food, he suffers from homesickness. Jeroen and his friend Jan go to the ocean and see an American plane in the water; Jan tries to go under but claims there are too many eels and surfaces with a big cut on his thigh. Things change when the village is liberated by Canadian troops. Jeroen meets and befriends Walt Cook (Kelley), a Canadian 20-something soldier. Walt at first treats Jeroen like a younger brother and the boy revels in the attention the soldier showers on him; eventually, their relationship becomes sexual. They also engage in friendly, platonic activities, with Jeroen driving Walt's jeep and cleaning his guns. Jeroen's foster parents are aware of the closeness between the boy and Walt, but it is left ambiguous whether they are aware of the sexual nature of the relationship. After a few more days, Walt's unit is ordered to move and Walt leaves without saying goodbye. Jeroen hears from his foster sisters that the soldiers are leaving and rushes to their billet but finds that they have already left. (The film suggests that Walt attempts to tell Jeroen's foster father the previous evening that the troops would be leaving, but gives up when the language barrier becomes obvious.) Jeroen searches throughout town, unable to find any trace of Walt, and is further devastated when he returns home and sees that the shirt where he had stored a photo of Walt was on a clothesline in the rain, ruining the photo. Later that night, Jeroen is lying awake in his bed and notices Walt's dog tag on a scarecrow that had posed as "Walt" in a photo with his foster family, and races outside to grab the tag. However, Jeroen catches his hand on pigeon wire on the scarecrow and badly hurts it. He collapses in tears and is taken inside by his foster father. The next morning, his foster father notices the sunglasses that Walt left on the wire while his foster father is burning the dangerous scarecrow. After the war is over, Jeroen returns to his family in Amsterdam, and later decides to go to the United States. The film ends with grown-up Jeroen affectionately recalling the story and trying to express it as a ballet dance. While rehearsing the dance, his assistant hands him an envelope. He opens the envelope to find an enlargement of the only photo of him and the foster family and also a further enlargement of the soldier's dog tag with his identification. He realizes that he can now find his lost soldier. Stephen Holden of The New York Times praised the film's "refusal to load the story with contemporary psychological and social baggage" but wrote that the film was unable to achieve a "coherent dramatic frame". He added that the film does not insinuate Walt was responsible for harming Jeroen or had abused Jeroen, and also that within the work "is no mention of homosexuality." Kevin Thomas of the Los Angeles Times wrote that due to a lack of clarity over the homosexual themes, it "delves into issues far too serious and controversial for such questions to go unanswered." He also stated that the confusion over language, as the film is partially in English and partially in Dutch, may have caused "lacks crucial clarity", despite good acting. Cast Maarten Smit as Jeroen Boman (child) Jeroen Krabbé as Jeroen Boman (adult) Andrew Kelley as Walt Cook Freark Smink [nl] as Heit Elsje de Wijn [nl] as Mem Derk-Jan Kroon as Jan Wiendelt Hooijer as Henk Iris Misset as Bonden

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The Gold Rimmed Glasses | 1987 | Original title: Gli occhiali d'oro |

Tags: #gay

Gli occhiali d'oro (internationally released as The Gold Rimmed Glasses) is a 1987 Italian drama film directed by Giuliano Montaldo, starring Philippe Noiret, Rupert Everett and Valeria Golino. Set in Ferrara and in a nearby seaside resort in 1938, the plot follows a Jewish student and a homosexual doctor who suffer persecution in Fascist Italy. The film is an adaptation of Giorgio Bassani's novel The Gold Rimmed Spectacles (Gli occhiali d'oro).[1] It entered the main competition at the 1987 Venice Film Festival, where it won two Golden Osellas for Best Costume Design and Best Set Design.[2] For his soundtrack Ennio Morricone won the David di Donatello for Best Score.[2] Contents 1 Plot 2 Cast 3 References 4 External links Plot The corpse of a man, drowned in the river Po, is brought to shore by fishermen. The man's broken gold rimmed glasses lay stuck in the mud next to him. His story is told in flashback. Ferrara, 1938 – Doctor Athos Fadigati is a middle age otolaryngologist with a prosperous pediatric practice. Cultured and well off, he belongs to the city's bourgeois society. While walking around town, Dr Fadigati meets Nora, the only daughter of one of his friends. The warmhearted doctor purchases a painting and gives it to Nora as a gift for her ailing father. Nora is the last member of the Treves, a Jewish family whose fortune has fluctuated through the years. Nora is in love with Davide Lattes, a young literature student at the university of Bologna, who dreams of becoming a writer. Davide is also Jewish and lives comfortably with his parents and young sister. Their way of life is threatened as the fascist regime of Mussolini begins to apply antisemitic measures. Davide is worried particularly after one of his university professor is laid off for being Jewish and none came to his defense. Davide's concerns are not shared by his father, who plays down the news of the persecution of Jews in Germany. The father thinks that something similar could not take place in Italy, where the Jewish community has lived undisturbed for centuries. Nora's father dies and her attitude changes as she takes over her father's business deals. She and Davide are very much in love. One night after making love, Nora is able to tell Davide that she loves him for the first time. Davide, as many young students in Ferrara, commutes daily by train to the university in Bologna. Twice a week, the solitary bespectacled Fadigati takes the same train. Eventually the doctor befriends the students, some of which were his patients when they were children. There are rumors around town that the bachelor doctor is homosexual. One of the students, Eraldo, is certain that the doctor is gay and he is sometimes insolent towards Fadigati. Eraldo, an amateur boxer, invites Dr. Fadigati to see him fight. Although he dislikes boxing, the doctor accepts the invitation. At the end of the boxing match, when he goes to greet the young man, Fadigati finds Eraldo taking a shower. Eraldo is ambitious and befriends Fadigati, sharing his confidences with him. Eraldo comes from a humbler background than most of his friends. He was abandoned by his father, who emigrated to America, but has been spoiled by his mother, a housemaid who has worked hard to give him what he wants. Eraldo has never gone on vacation away from Ferrara and Dr Fadigati, smitten with him, invites him to go together to a nearby resort town. Cast Rupert Everett as Davide Lattes Philippe Noiret as Doctor Athos Fadigati Valeria Golino as Nora Treves Nicola Farron as Eraldo

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